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        <dc:title>Ars Memoria</dc:title>
        <dc:creator>Uskokovic, Sandra</dc:creator>
        <dc:subject>09. Aspects économiques et sociaux de la conservation</dc:subject>
        <dc:subject>02. Facteur de dégradation</dc:subject>
        <dc:subject>03. Législations nationales et régionales</dc:subject>
        <dc:subject>04. Sensibilisation du public</dc:subject>
        <dc:subject>05. Europe</dc:subject>
        <dc:description>A view on the history and memory in former Yugoslavia is ranging from victimization through&#13;
amnesia to nostalgia. What these opposing positions have in common is their failure to recognize the full&#13;
complexity of the phenomenon of collective memory and of the region's history of struggle over concepts&#13;
of identity, nation, conflict and reconciliation, and the contradictory lessons of the past.&#13;
As well as the other states created after the fall of socialist Yugoslavia, Croatia has deployed national&#13;
symbols strategically to promote favourable images of its heritage in “nation branding“ in order to create&#13;
identity of difference.&#13;
Heritage is the best example that in some ways always represents conditions of conflict in space, as the&#13;
very tool and consequence of politics. For example, the reconstruction with the facsimile method of the&#13;
Old Bridge in Mostar (that was destroyed in war conflict) was an attempt to reconcile the antagonism of&#13;
divided city and unify it - what unfortunately did not ever happen. Therefore this “new-old” bridge that&#13;
originally represented multinational identity of the city, represents today contested identity of the city and&#13;
certainly did not help or enable post-conflict reconciliation. Nation state along with expert community&#13;
actually produced “image of identity representation” using heritage as a social-political resource.&#13;
There is too much memory on Balkans, too many pasts on which people can draw, usually as a weapon&#13;
against the past of someone else. Cynicism and mistrust pervade all social, cultural and even personal&#13;
exchanges so that the reconciliation is very difficult. There are multiple memories and historical myths&#13;
that form powerful counter-histories of a mutually antagonistic and divisive nature.&#13;
Destruction of heritage on Balkans (along with ethnic cleansing) should be viewed as a form of&#13;
“construction”, which aided in the production of the new, exclusive and mono cultural identities.</dc:description>
        <dc:date>2018</dc:date>
        <dc:type>Document issu d'une conférence ou d'un atelier</dc:type>
        <dc:type>PeerReviewed</dc:type>
        <dc:format>application/pdf</dc:format>
        <dc:language>fr</dc:language>
        <dc:rights>cc_by_nc_sa</dc:rights>
        <dc:identifier>https://openarchive.icomos.org/id/eprint/1996/1/23._ICOA_1167_Uskokovi%C4%87_SM.pdf</dc:identifier>
        <dc:identifier>    Uskokovic, Sandra   (2018)  Ars Memoria.   In: ICOMOS 19th General Assembly and Scientific Symposium "Heritage and Democracy", 13-14th December 2017, New Delhi, India.  [Document issu d'une conférence ou d'un atelier]    </dc:identifier>
        <dc:language>en</dc:language></oai_dc:dc>
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