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        <dc:title>Significance of reconstructed built-heritage after wartime destruction: Restitution of identity? New role in the subsequent society?</dc:title>
        <dc:creator>Okahashi, Junko</dc:creator>
        <dc:subject>04. Réhabilitation</dc:subject>
        <dc:subject>09. Aspects économiques et sociaux de la conservation</dc:subject>
        <dc:subject>04. Effets de la dégradation</dc:subject>
        <dc:subject>04. Sensibilisation du public</dc:subject>
        <dc:subject>04. Asie et îles du Pacifique</dc:subject>
        <dc:description>In a southern island of Japan stands a prominent example of reconstructed cultural heritage,&#13;
the Shuri-jo (Shuri Castle). First built in 14th Century by the Ryukyu dynasty of Okinawa, it was a living&#13;
castle until late 19th Century. However, entirely devastated by heavy bombarding in 1945, its tangible&#13;
memory could then only be rebuilt through reconstruction. Shuri-jo being highly important for the&#13;
identity of the people of Okinawa, reconstruction works started as early as the 1950s, emerging from the&#13;
rubbles of the city of Naha, even under the American occupation. Majority of the works took place in the&#13;
early 1990s. The historic urban landscape around Shuri-jo was gone in 1945, yet without such context,&#13;
the new Shuri-jo is again at the heart of the local community. Reconstruction could take place at the right&#13;
momentum, while the elders could link their memories of the pre-war castle to its new being. Without&#13;
the reconstruction of this castle complex, it could be said that for them, war period was not over. Those&#13;
reconstructed monuments could be seen as restituted identity of the place, as a symbol of reconciliation&#13;
of the war-torn society of Okinawa. Without the reconstructed castle, today having also become a tourist&#13;
asset, one would find it difficult to visually trace in space the important evidence of local history, rich in&#13;
its own cultural uniqueness. Shuri-jo, with its strong narrative, illustrates the not-to-be-granted-for age of&#13;
peace that overcame dark memories of war and loss. It is a case study of an act of reconstruction under&#13;
“exceptional circumstances” that rose initiative and motivation of the local and national community,&#13;
enabling release of large-scale means. This case should possibly support the discussion on who decides&#13;
the future status of cultural heritage after its post-conflict form of devastation, who takes the&#13;
responsibility, and for whom?</dc:description>
        <dc:date>2018</dc:date>
        <dc:type>Document issu d'une conférence ou d'un atelier</dc:type>
        <dc:type>PeerReviewed</dc:type>
        <dc:format>application/pdf</dc:format>
        <dc:language>fr</dc:language>
        <dc:rights>cc_by_nc_sa</dc:rights>
        <dc:identifier>https://openarchive.icomos.org/id/eprint/2003/1/30._ICOA_853_Okahashi_SM.pdf</dc:identifier>
        <dc:identifier>    Okahashi, Junko   (2018)  Significance of reconstructed built-heritage after wartime destruction: Restitution of identity? New role in the subsequent society?   In: ICOMOS 19th General Assembly and Scientific Symposium "Heritage and Democracy", 13-14th December 2017, New Delhi, India.  [Document issu d'une conférence ou d'un atelier]    </dc:identifier>
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