<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>Significance of reconstructed built-heritage after wartime destruction: Restitution of identity? New role in the subsequent society?</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">Junko</mods:namePart><mods:namePart type="family">Okahashi</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>In a southern island of Japan stands a prominent example of reconstructed cultural heritage,&#13;
the Shuri-jo (Shuri Castle). First built in 14th Century by the Ryukyu dynasty of Okinawa, it was a living&#13;
castle until late 19th Century. However, entirely devastated by heavy bombarding in 1945, its tangible&#13;
memory could then only be rebuilt through reconstruction. Shuri-jo being highly important for the&#13;
identity of the people of Okinawa, reconstruction works started as early as the 1950s, emerging from the&#13;
rubbles of the city of Naha, even under the American occupation. Majority of the works took place in the&#13;
early 1990s. The historic urban landscape around Shuri-jo was gone in 1945, yet without such context,&#13;
the new Shuri-jo is again at the heart of the local community. Reconstruction could take place at the right&#13;
momentum, while the elders could link their memories of the pre-war castle to its new being. Without&#13;
the reconstruction of this castle complex, it could be said that for them, war period was not over. Those&#13;
reconstructed monuments could be seen as restituted identity of the place, as a symbol of reconciliation&#13;
of the war-torn society of Okinawa. Without the reconstructed castle, today having also become a tourist&#13;
asset, one would find it difficult to visually trace in space the important evidence of local history, rich in&#13;
its own cultural uniqueness. Shuri-jo, with its strong narrative, illustrates the not-to-be-granted-for age of&#13;
peace that overcame dark memories of war and loss. It is a case study of an act of reconstruction under&#13;
“exceptional circumstances” that rose initiative and motivation of the local and national community,&#13;
enabling release of large-scale means. This case should possibly support the discussion on who decides&#13;
the future status of cultural heritage after its post-conflict form of devastation, who takes the&#13;
responsibility, and for whom?</mods:abstract><mods:classification authority="lcc">04. Réhabilitation</mods:classification><mods:classification authority="lcc">09. Aspects économiques et sociaux de la conservation</mods:classification><mods:classification authority="lcc">04. Effets de la dégradation</mods:classification><mods:classification authority="lcc">04. Sensibilisation du public</mods:classification><mods:classification authority="lcc">04. Asie et îles du Pacifique</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8601">2018</mods:dateIssued></mods:originInfo><mods:genre>Document issu d'une conférence ou d'un atelier</mods:genre></mods:mods>