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    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/elements/1.1/title">
      <epdcx:valueString>Outnumbered 16:1. Evaluating the global online communities of the Sydney Opera House</epdcx:valueString>
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    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/elements/dc/terms/abstract">
      <epdcx:valueString>The exponential growth of social media platforms over the last decade has brought digital&#13;
culture and public participation to the fore in the field of heritage. Initially, social media promised to be&#13;
a panacea for democracy; enabling global communities to use digital technologies to engage with World&#13;
Heritage properties. However, the reality has turned out to be much more complex and nuanced:&#13;
challenging established national narratives; potentially infringing on copyright; blurring notions of&#13;
communities and audiences; and revealing the entanglement of tangible and intangible forms of cultural&#13;
heritage.&#13;
&#13;
World Heritage is increasingly mediated by the digital sphere. In 2013 the Sydney Opera House had a&#13;
global online community of 128 million. These digital engagements outnumber in-person visits 16:1 and&#13;
have been estimated to have an economic value of $59 million AuD (Deloitte, 2013). Using the Sydney&#13;
Opera House as a case study, the paper describes public forms of participation with this place via&#13;
platforms such as YouTube, Pinterest, Wikipedia, Facebook and Flickr. Then it reflects on their&#13;
implications for the World Heritage program’s strategic objectives of ‘increasing public awareness&#13;
through communication’ and ‘enhancing the role of communities’ in its implementation. There is a&#13;
growing imperative to evaluate the digital engagements of global online communities, especially when&#13;
many of these ‘visitors’ will likely never physically set foot in the Sydney Opera House itself.</epdcx:valueString>
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    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/elements/dc/elements/1.1/creator">Garduño Freeman, Cristina</epdcx:statement>
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  <epdcx:description epdcx:resourceId="expression_2013_1">
    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/elements/1.1/title">
      <epdcx:valueString>Outnumbered 16:1. Evaluating the global online communities of the Sydney Opera House</epdcx:valueString>
    </epdcx:statement>
    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/terms/available">2019-01-11T14:14:02Z</epdcx:statement>
    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/elements/1.1/type" epdcx:valueURI="http://purl.org/eprint/type/ConferencePaper"></epdcx:statement>
    <epdcx:statement epdcx:propertyURI="http://purl.org/dc/terms/bibliographicCitation">Garduño Freeman, Cristina   (2018)  Outnumbered 16:1. Evaluating the global online communities of the Sydney Opera House.   In: ICOMOS 19th General Assembly and Scientific Symposium "Heritage and Democracy", 13-14th December 2017, New Delhi, India.  [Document issu d'une conférence ou d'un atelier]</epdcx:statement>
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