The polychromy of antique sculptures and the terracotta army of the first Chinese emperor: studies on materials, painting techniques and conservation
Berke, Heinz, Borkopp, Birgitt, Brinkmann, Vinzenz, Cheng, Derun, Colinart, Sylvie, Emmerling, Erwin, van Ess, Hans, Gao, Hanyu, Greipl, Egon Johannes, Guo, Baofa, Herm, Christoph, Jiang, Caipin, Koch-Brinkmann, Ulrike, Kim, Yinglan, Knipping, Detlef, Li, Rujuan, Li, Zuixiong, Lin, Chunmei, Lu, Shoulin, Pagès-Camagna, Sandrine, Petzet, Michael, Qiao, Shiguang, Rösch, Petra, Rogner, Ingo, Shang, Zongyan, Thieme, Cristina, Wiedemann, Hans-Georg, Wu, Yongqi, Yuan, Zhongyi, Zhang, Jizu, Zhang, Tinghao, Zhang, Zhijun, Zhao, Feng and Zhou, Tie (2001) The polychromy of antique sculptures and the terracotta army of the first Chinese emperor: studies on materials, painting techniques and conservation. Conference Volume. Lipp GmbH, Munich, Germany, 183p. Monuments & Sites (2001-), 03. ISBN 3-87490-679-5. [Book]
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Abstract (in English)
An international Symposium on "Polychromy of the Terracotta Army of the First Chinese Emperor Qin Shihuangdi, Studies on the Polychromy of Antique Sculptures; Materials, Painting Techniques and Conservation" was held at the Historical Museum of the Shaanxi Province in March, 1999. This was the first congress ever held on the polychromy of antique sculptures in the People's Republic of China. Polychromy of antique sculptures has, of course, been one of the central topics of discussion of archaeologists since the 19th century and has influenced comtemporary European art into the 20th Century, Intense original colouring cannot be found on a single antique Greek sculpture. Partially due to diverse influences over the centuries, partially due to the deliberate removal of existant colouring, the general public sees sculpture as monochromatic - either white or material-based in colour, even though current research proves it to have been otherwise. The state of information regarding Near Eastern cultures, Egyptian sculpture and Estruscan plastic art is similar to that which has been passed down to us on antique Greek sculpture: at an absolute minimum, fragments or shadowy traces of colour give us a vague idea of the artistic quality and original wealth of the polychromy on antique sculptures. Thousands of terracotta figures, some life-size, some only a few centimetres high, have been excavated in China in the last twenty years. Almost all of these sculptures are elaborately painted; a large number of these figures have been preserved with their original colouring. Without a doubt the most spectacular discovery has been the tomb of the First Chinese Emperor, Qin Shihuangdi. Not only the internationally renowned Terracotta Army of the emperor, but also numerous other burial offerings are completely coloured. These realistically and intensely coloured figures give us the impression of a striking presence and power previously unknown in antique sculpture. The papers presented at this Symposium cover not only Chinese excavations, but also examples from Egypt, the Near East and Europe. Questions concerning clothing and textiles as well as aspects of colour symbolism and the meaning of colour in dif ferent cultures were examined. And last but not least, painting techniques, materials and conservation problems in the different cultures, with concentration on the aspects of natural science and conservation, were presented. Compiled in this publication are the revised papers presented at the Symposium; a general view, and a survey on the polychromy of ancient scupture. It is exciting to pursue the similarities and differences to be found in the finishing of sculptures in the early advanced civilisations. Parallel uses of the colour blue are particularly notable, thus supporting the presumption of an intense cultural exchange in antiquity. The organisers of this Symposium - notably the Museum of the Terracotta Warriors and Horses, the Department of Historical Monuments, and ICOMOS - hope that the research on the polychromy of antique sculptures and the cultural exchange will continue. [Preface by Degon Johannes Greipl, Michael Petzet, Wu Yongqi and Zhang Tinghao]
Item Type: | Book (Conference Volume) |
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Authors: | Authors Email Berke, Heinz UNSPECIFIED Borkopp, Birgitt UNSPECIFIED Brinkmann, Vinzenz UNSPECIFIED Cheng, Derun UNSPECIFIED Colinart, Sylvie UNSPECIFIED Emmerling, Erwin UNSPECIFIED van Ess, Hans UNSPECIFIED Gao, Hanyu UNSPECIFIED Greipl, Egon Johannes UNSPECIFIED Guo, Baofa UNSPECIFIED Herm, Christoph UNSPECIFIED Jiang, Caipin UNSPECIFIED Koch-Brinkmann, Ulrike UNSPECIFIED Kim, Yinglan UNSPECIFIED Knipping, Detlef UNSPECIFIED Li, Rujuan UNSPECIFIED Li, Zuixiong UNSPECIFIED Lin, Chunmei UNSPECIFIED Lu, Shoulin UNSPECIFIED Pagès-Camagna, Sandrine UNSPECIFIED Petzet, Michael UNSPECIFIED Qiao, Shiguang UNSPECIFIED Rösch, Petra UNSPECIFIED Rogner, Ingo UNSPECIFIED Shang, Zongyan UNSPECIFIED Thieme, Cristina UNSPECIFIED Wiedemann, Hans-Georg UNSPECIFIED Wu, Yongqi UNSPECIFIED Yuan, Zhongyi UNSPECIFIED Zhang, Jizu UNSPECIFIED Zhang, Tinghao UNSPECIFIED Zhang, Zhijun UNSPECIFIED Zhao, Feng UNSPECIFIED Zhou, Tie UNSPECIFIED |
Editors: | Editors Email Chen, Ganglin UNSPECIFIED Helmreich-Schoeller, Irene UNSPECIFIED Ziesemer, John UNSPECIFIED |
Languages: | Chinese, English |
Keywords: | China; ancient art; statues; terracotta; polychrome sculptures; archaeological heritage; conservation of cultural heritage; conservation projects; colours; pigments; paints; gum-lac; wood; textiles; silk; analysis of materials; archaeometry; photographs; comparative analysis; Egypt; Greece; Syria; Iran |
Subjects: | B. ARCHAEOLOGY > 05. Archaeological research F.SCIENTIFIC TECHNIQUES AND METHODOLOGIES OF CONSERVATION > 06. Analysis of materials F.SCIENTIFIC TECHNIQUES AND METHODOLOGIES OF CONSERVATION > 09. Archaeometry H.HERITAGE TYPOLOGIES > 03. Archaeological sites L.PRESENTATION AND TRANSMISSION OF HERITAGE > 02. Interpretation P. GEOGRAPHIC AREAS > 02. Africa P. GEOGRAPHIC AREAS > 04. Asia and Pacific islands P. GEOGRAPHIC AREAS > 05. Europe |
Name of monument, town, site, museum: | Mausoleum of the First Qin Emperor, China; Aphaia temple, Aegina, Greece; Mo Kao grotto, Dunhuang, China |
UNESCO WHC Number: | 441 |
National Committee: | ICOMOS International |
ICOMOS Special Collection: | Monuments & Sites (2001-) |
ICOMOS Special Collection Volume: | 03 |
Volume: | 3 |
Number of Pages: | 183 |
ISBN: | 3-87490-679-5 |
Depositing User: | ICOMOS DocCentre |
Date Deposited: | 17 Jul 2023 15:43 |
Last Modified: | 17 Jul 2023 15:43 |
URI: | https://openarchive.icomos.org/id/eprint/2953 |
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